Saturday, July 24, 2010

Comic-Con Tweets

If you have an iPhone to give away, you can get thousands of people at Comic-Con to tweet anything you want.  Next year, I’m buying a couple dozen for:

Didio looks like he’s aged 30 years since September. 

Twilight fan panel canceled after CosPlay mishap.

Comic-Con fun: ordered a Cattitude at the Marriott bar in front of Matt Idelson.

Unless you’re dressed as an Imperial Storm Trooper, DO NOT go in Room 26AB.

Grant Morrison has the cursed monkey’s paw.

Three things that should never go together: IMAX, vampires and nachos.  I’m just sayin’

Jim Lee is HOT.   
(Not giving away a phone for that, it’s just a personal observation.)

Bride of the Demon was only written to make editor O'Neil get past the Bat/Cat and settle down to do his effing job.

No, seriously, my Uncle Larry was dead for 3 days and he looked better than Didio looks now.

Just saw a Xena, a real Catwoman and two Hulks beating up a goggle-whore in Ballroom 3.  WIN!

Comic-Con fun: ordered a DEE-vious at Hilton bar in front of Will Pfeifer.

Javier Grillo-Marxuach is HOT.
(No giveaway.  Again, just a personal observation.)

Those were the droids you were looking for.

Unless that hazmat suit is real, DO NOT go in Room 8.

Ferregamo, Manolo Blanik and Jimmy Choo recognize DC Comics w/ special merit award.

There is no such thing as a Lego Amazon.

Chris Dee
www.catwoman-cattales.com 
cattales.yuku.com
cattales.wikispaces.com

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Monday, July 12, 2010

Harvey Pekar Dead at 70

One of the real annoyances with the fustercluck that is DC Comics of the last decade-plus is the scope of their wrong ideas.  It wasn't just a particular writer here or a specific storyline there.  It was an all-encompassing atmosphere of WRONG, a virtual monsoon where ALL decisions and attitudes were doomed to fail because they were built on core principles that were faulty.  

A perfect example was Will Pfeifer's passive-aggressive attempt to paint any alterntaive to the East End goggle-whore excrement as boring.  It went something like "Panel 1: Selina pours coffee.  Panel 2: close up on the handle."

Telling example, as that cup of coffee is certainly an emblem of real life, an aspect of storytelling which eludes the year long crossover crowd.  "Realism" is not making everyone a psycho, a pedophile, a prostitute, or a serial killer. Realism is drawing those links between the fictional creation on the page and the living people reading it.  Bruce Wayne shaves in the morning.  It doesn't negate the fantastic larger-than-life stuff, it grounds it in something we can all relate to.

Harvey Pekar is dead at 70.  He wrote the autobiographical comic American Splendor, but more than that, he saw potential in the comic medium to tell stories beyond pulp horror and fantasy.

Pekar felt that the medium could be put to wider use, and he played with panels as a storytelling vehicle for more than a quarter of a century.

Without men like him, we'd be nowhere.  Without those who stretch and explore, who fiddle with the dials and see what something can actually DO beyond whatever we've been doing, without those guys, we'd be absolutely nowhere.  We'd still be in the trees.

Chris Dee
www.catwoman-cattales.com
cattales.yuku.com
cattales.wikispaces.com

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Tuesday, July 6, 2010

A Tale of Two Press Releases

Last week saw some big news from both comics giants. Let’s compare, shall we?


Marvel is forming a TV division to develop its properties into live action and
animated offerings for that enormous television audience. They named Uncle Jeph
(that’s Jeph Smallville-Lost-Heroes-The Long Halloween-Hush Loeb to the uninitiated) to head it. Back
when Disney first bought Marvel, I said “Now we got us a fair fight.” I meant
that Disney had the synergy of a multi-national corporation that has its fingers
in many, many pies, a depth and breadth that Marvel lacked, and a knack for
getting all those diverse operations working together to make the most of their
properties. I know some of us wrinkle our noses when we hear our beloved
characters described as “assets” or “properties,” but honestly, as a fan as well
as a stockholder, I am all in favor of Disney’s efforts to get every dime they
can out of every character they own. A higher ROI for me as a stockholder means MORE
STUFF for me as a fan. It really is a win-win if the company knows what
it’s doing.


And this is where I planned a contrast with Time Warner, which has that
diversity in terms of the divisions listed in its balance sheet: there’s a movie
studio and television as well as music and publishing, even if some are on life
support.  But they’ve never been able to get it all working together very
effectively. Even
after Martha Stewart gave them a humiliating billion dollar tutorial on the
process, they just don’t get the click going: strip the old science fiction
series that had a cult following, build a new
audience for new merch and a season-by-season DVD release, soundtrack, new novels, games, and
then potentially a new series or feature film. As I said, that’s the compare and
contrast I had planned, until *koff* the Amazon made her appearance. Thursday,
DC announced their plan to give Wonder Woman a new origin and costume. They
announced in the mainstream media, which is usually an indicator that they know
their readership is long gone and they have to venture out into the world beyond
Wizard, CBR and IGN to get a message through. (c.f. previous week's Superman article in USA
Today.)


It’s not the nature of the Diana news that interests me, however. Like West
Wing’s Bruno Gianelli, I only have so much RAM in my head. I have to prioritize.
I have to throw some things overboard. One of the things I've chosen not to care
about is whether or not Diana of Themyscryra gets a new outfit. The thing about
this episode that did get my attention was the contrast with Disney/Marvel’s
announcement in, well... scope. The latter is moving with a sure hand into new
waters where movies, video games and even theme park attractions feed into each
other, creating a capital-F Franchise that is more than the sum of its parts.
And the reactions to the news are a beautiful illustration of reaping what you sow:
“OMG, he wrote Teen Wolf? I didn’t know that!” and “Wasn’t Heroes great!
Remember those viewing parties we had? Did you know Tim Sale did the paintings
for that show?” “Long Halloween was the best comic I have ever read in my life.
10 years later, it’s not dated either.”


Meanwhile DC is creating this tempest tiara in a teapot, working a shrinking
readerbase into a lather over a “controversial” new costume. The only people bothering
to fight over this are that 1% of 1% of 1% that didn’t write this guys off by
2007. And in contrast to the Jeph news, reactions include the phrases “latest
atrocity” “You read it for me, I’m afraid to look,” and “Oh good God, what are
they doing now?” Says to me that 1% of 1% of 1% who haven’t jumped ship aren’t
exactly enthusiastic. Is it possible the only reason they haven’t jumped is they
don’t know how to swim?


Maybe it’s not a fair comparison. I would probably be the first taking the new
regime to task if they tried moving forward without setting their house in order
first. There are too many sins unadmitted and unatoned, so much so that if a
typo slips into one of these articles: “Superman is Daily Planet reporter Bark
Kent” everyone’s first assumption is that they’re replacing Clark in a new
campaign to stick it to the old school fans. That is a problem that should
probably be addressed before trying to weave the comics into the movies,
cartoons, and gaming worlds where these characters thrive. But they better do it
fast because Jeph is getting a head start, and history has shown us when he
comes out of the gate strong, there’s no stopping him.


Chris Dee
www.catwoman-cattales.com
cattales.yuku.com
cattales.wikispaces.com

Thank you for reading. If you are viewing this post anywhere other than The Catitat you are reading a mirror. Please visit the original posting in The Catitat to leave a comment.